Ragnarok director Taika Waititi has always thrived on chaos, and Brawl Stars is no different

Thor: Ragnarok and Love and thunder Director Taika Waititi is certainly no stranger to chaos – if it's not already evident in his ability to take serious stories with comedic undercurrents and instead flip the script by making the stories into comedies. He has often stated how he can't be taken seriously, even jokingly calling himself “lazy” because he prefers to keep things simple and doesn't mind being messy. And yet, he won an Oscar for his film adaptation Jojo Rabbit And earned many accolades for his work in other fields as well. Needless to say, when he finds an environment that thrives on chaos over rigor, he prefers it. That is why he has collaborated recently Brawl Stars Developer Supercell makes sense, and why he enjoys playing games in his spare time.

Brawl Stars It recently launched its 101st Brawler, Najia – a trailer that Waititi actually wrote. The animated short leans into the same unpredictable energy that defines much of his film work, following Nazia through the strange, puzzle-filled world of Pyramid Quest as things quickly unravel before her. It's not a one-to-one translation of his style, but his fingerprints are clearly there, especially with how the trailer embraces the idea that things don't go as planned. That ultimately aligns with Waititi's view of himself Brawl Stars As a game, which he said in a recent interview with GameRant, players stop trying to control everything and turn to chaos.

Taika Waititi's chaotic creativity is why his collaboration with Brawl Stars makes sense

Interestingly, Waititi has been playing Brawl Stars For a while now, mainly as a way to connect with his kids while he's away. That doesn't mean he hasn't enjoyed it, though, as he claims it was the chaotic nature of the game that attracted him in the first place. After being introduced to the game by his brother-in-law, he immediately saw it as an experience that was perfectly on brand for him who likes things when they're not neat, clean, or restricted. When asked what is stopping him from returning to the game, Waititi replied:

“I was just drawn to the chaos, the chaotic nature of the game and the eclectic worlds and there are so many players. I was like at first so many buttons and so many options and so much this and this and this and this, and I was like, “Oh, there are so many things!” And then I realized that everyone needs to get lost in this chaos and that it's okay for everyone to understand. These things and then play and fight, and it's okay if you lose, I always win. For is surprising, and when I lose, it is a good lesson.

That perspective is not something Waititi stumbles upon Brawl Stars either In fact, it has been a defining part of his filmmaking over the years. In movies like Thor: Ragnarok, Jojo RabbitAnd also What we do in the shadowsWaititi has shown a consistent preference for stories that are slow, unpredictable, and willing to pivot at a moment's notice. His films are also rarely one-dimensional in tone, jumping between absurd comedy and genuine emotional weight, sometimes within the same scene, creating an experience that feels deliberately off-balance to maintain audience engagement and relatability.

That unpredictability is often the point. Waititi has openly gravitated to what he describes as disruptive or chaotic forces, using them as creative engines rather than reining them in. Jojo RabbitFor example, he took one of history's darkest periods and filtered it through satire and childlike imagination, using humor to both disarm and challenge audiences. with Thor: RagnarokHe applied the same trend to the blockbuster franchise, taking a traditionally serious character and portraying him as a very playful person – even a mess.

In movies like Thor: Ragnarok, Jojo RabbitAnd also What we do in the shadowsWaititi has shown a consistent preference for stories that are slow, unpredictable, and willing to pivot at a moment's notice.

But, ultimately, this is the reason for the collaboration with him Brawl Stars Makes sense. Whether he's directing a movie or writing a short animated trailer, Waitit's goal to create something that feels alive, slightly messy, and open to wonder remains the same. In this sense, about his takeaway Brawl Stars He not only comments on his experiences with the game, but is almost a reflection of the same philosophy that his work has always been built around.

Vetiti's love for Nazia comes down to how quiet she is

Interestingly, Waititi's work in Nazia's launch trailer Brawl Stars Not necessarily because she is a chaotic character, but because she is a calm person. For the acclaimed writer/director, the most endearing feature of 101st Brawler is the fact that he doesn't talk, as he confirmed when asked what he likes about Nazia:

“Her silence. She's just mysterious, and you don't really know anything about her. And she's fierce and quiet, quiet, but also impatient, doesn't suffer mistakes. Also, I liked that I didn't have to write a lot of dialogue for anyone because, you know, she doesn't speak. So it was great and I could do it in a very nice and classic way to show it in the picture. Instead of saying that, it attracted me to her and she rules the world of chaos inside the pyramid where we don't mean anything. No, but I like female characters too.”

The idea of ”showing rather than telling” has actually been another consistent thread throughout Waititi's career. As in his earlier films What we do in the shadows or Search for wild peopleHe often uses visual humor, awkward silences, and character behavior to carry the scene rather than display it. There's a kind of controlled slowness to those moments, where they seem to hit a little closer to home than the carefully engineered dialogue exchanges. That approach has also followed him into larger productions, where he is known to encourage improvisation and experiment with actors' performances rather than giving them hard limits on their direction.

Likewise, Nazia's silence in the Pyramid Quest trailer Brawl Stars It's perfect for how Waititi tends to think about storytelling. This allows him to lean into the visual storytelling and atmosphere, while still letting the surrounding chaos drive the experience forward. That balance between restraint and unpredictability is something Waititi has honed over the years, and it's a big part of why his work, whether it's a Hollywood film or a short game trailer, stands out.